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GEVAERT François-Auguste  - Excelling not only in the execution of a bravura line but also in the interpretation of an expressive melody, the clarinet contains within its range several timbres of a strongly defined character. FREE

GEVAERT François-Auguste

Excelling not only in the execution of a bravura line but also in the interpretation of an expressive melody, the clarinet contains within its range several timbres of a strongly defined character.

Nouveau Traité d’Instrumentation

RIMSKY-KORSAKOV Nikolay - The clarinet is pliable and expressive, suitable, in the major, to melodies of a joyful or contemplative character, or to bursts of mirth; in the minor, to sad and reflective melodies or impassioned and dramatic passages. FREE

RIMSKY-KORSAKOV Nikolay

The clarinet is pliable and expressive, suitable, in the major, to melodies of a joyful or contemplative character, or to bursts of mirth; in the minor, to sad and reflective melodies or impassioned and dramatic passages.

Principles of Orchestration

BRYMER Jack - The clarinettist must begin by playing the chalumeau.  This register of the clarinet (the twelve lowest notes) is still an instrument in itself, simple and enriching. FREE

BRYMER Jack

The clarinettist must begin by playing the chalumeau. This register of the clarinet (the twelve lowest notes) is still an instrument in itself, simple and enriching.

Clarinet

BRYMER Jack - The ability to play the clarinet is the ability to overcome the imperfections of the instrument. There’s no such thing as a perfect clarinet, never was and never will be. FREE

BRYMER Jack

The ability to play the clarinet is the ability to overcome the imperfections of the instrument. There’s no such thing as a perfect clarinet, never was and never will be.

Clarinet

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